Greg Vincent

All hands to the tanks

The call goes out. The volunteers pour into the military camp at Waiouru in the centre of the North Island. The only war, though, is going to be on rust, handbrake cables,
driveshafts, seized brake systems, the battered cylinders of tank engines and the ongoing tussle to turn out new truck engine parts.
Here is a group of willing sheddies who meet about once every six weeks under the keen oversight of George Pycraft. Their job: to continue repairing the heritage vehicles of the Army Museum at Waiouru.
Their “shed” is a group of four storage sheds housing 85 vehicles in various states of repair. They are as diverse as tanks, the 24-tonne M41 Walker Bulldog, the Centurion, and Valentine tanks (the latter still in World War II Pacific theatre camouflage), a 1941 Canadian Pattern Chevrolet gun tractor, an MB Jeep still wearing its 1942 Long Range Desert Group livery, an M113A1 Armoured Personnel Carrier (APC) painted in UN colours and of the type used in Bosnia, a 1943 Ford F30 truck, a 39-inch searchlight and an M816 recovery wrecker truck made by American Motor Corporation in 1969.
Pycraft, the museum’s Assistant Curator – Technology, says with the help and dedication of the museum’s volunteers they are slowly coming closer to having a complete running collection of heritage vehicles.

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A weighty subject

One problem with working alone in the shed and having a liking for large pieces of Victorian cast iron is the difficulty of safely moving or lifting them.
They can be moved with load skates and pipes as rollers, but how do you lift the weight onto the rollers? Trying to push down on a crowbar while arranging pipe rollers under a machine is inviting trouble. A toe jack allows you to lift and hold the weight in the air as you arrange the rollers and put in safety blocks. It is not intended for great weights or high lifts due to stability, but it allows you to lift the weight.

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From armour to fighter

An unassuming garage in the Hunua Ranges south of Auckland is the current shed of Gordon Turner and home to his latest project – a full-sized replica cockpit of a Messerschmitt Bf 109E fighter plane. Made from plywood, timber and aluminium and five years in the making so far, it will never take to the skies. But it is eventually intended to become a flight simulator, giving the ‘pilot’ a realistic experience of flying one of World War Two’s most famous aircraft.

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Revving up Island-style

As you can imagine, on Great Barrier Island, the population is likely to have more than its share of characters, given the island’s remote location. Part of the charm is its lack of power supply and absence of a supermarket. If something breaks, there’s not likely to be a spare part sitting on a shelf anywhere on the Island, so if you don’t want to wait or to pay hefty freight charges on top of the cost of the part, you make one or use real no. 8 wire ingenuity. Even though it is New Zealand’s fourth largest island (after the North, South and Stewart Islands) and is only a half-hour flight from Auckland, it’s like a different world, and that’s why the locals love it.

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The Shed magazine June/July 2026 issue 127 on sale now

Murray Belfield is a phenomenon
He has built a few planes over the years, but none gave Murray the performance and thrills he really wanted until he built his scaled-down German paratrooper’s plane, a Storch. Building this rarest of planes consumed nine years of this 86-year-old’s life. And the result? He couldn’t be happier.
For most of us, stalking a deer across the back country, shooting it cleanly and lugging it home to furnish the table would be accomplishment enough for any evening’s bragging rights.
But when that involves landing an aeroplane you built in your shed onto a handkerchief-sized patch of hilltop scrub, finding and shooting the quarry, manoeuvring the carcase into the spare seat and getting off the ground again, and doing all that at the age of 86, bragging just vanishes in the slipstream. Murray Belfield is, anyway, far too practical and busy a guy to waste his evenings boasting to his mates, but he is, nevertheless, a phenomenon. His plane, the second he has built by hand, is another. Highly specialised for short take-offs and landings (STOL), it is a three-quarters-scale replica of a WWII flying legend, the Fieseler Storch.
The replica, designed by famed aircraft engineer Ladislao Pazmany, is so challenging to build that, to Murray’s knowledge, only one other Pazmany model has been completed to the flying stage, by an enthusiast in Alaska. As if that wasn’t a hard enough ask, Murray has incorporated many improvements of his own based on his many years of bush flying experience (and his dislike of fibreglass).

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In the dining room shed

Jane Allnatt’s father was a commercial artist, a painter, model-maker and did a bit of carving, so there’s something of the family tradition in what Jane Allnatt is doing in working with wood. But it’s unlikely her father imagined her designs and creations coming out of a shed in the dining room.
Working on a sheet on the floor of a room in her house is the Howick resident’s “workshop” and preferred way of creating work. Yet that work has regularly taken prizes in various categories at the annual National Woodskills Festival at Kawerau, a central gathering place of woodturners and sheddies.
It is also unlikely you would find many men praising the convenience of their working space because, as the sculptor puts it, “the room is centrally placed and I can disappear to cook dinner or if there is any washing, I can do that. The light is good, too.”

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The Workmate – a shed in a cupboard

In 1961, Ron Hickman, a just-married South African immigrant to the UK, was making a wardrobe using expensive Scandinavian chairs as sawhorses (as you do) when he inadvertently cut one of the chairs as well as the plywood. This was his eureka moment. The need for a workbench which could be stored away in an apartment cupboard when not being used was obvious.
His prototype folding workbench had a classic cast-iron and steel Record brand wood vice attached to it. 
Ron was known in the Lotus Cars factory, where he was director of engineering, as someone who could always see an alternative approach to design problems, and so it was with his workbench. His final design used the top of the bench as a vise; one half of the top being fixed, the other being moved by two threaded rods to clamp the object being worked on, vaguely similar to a book-binder’s vise. His background in car manufacture led to him design the folding workbench with a metal frame. Because it was intended to be used for woodwork the top was wooden – solid wood in the original design.

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Readers’ forum – sheddie chatter

One of the popular features we used to publish in The Shed magazine is the readers’ forum.
Here is one from way back in 2011, what a few sheddies were up to in their shed that year and what was on their minds at that time

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Westland Industrial Heritage Park: From trash to treasure

The West Coast has a history as rich as it is rugged, with a past steeped in mining, logging, and dairy farming on a forest-clad strip between the mountains and the sea. Up by Hokitika airport is a sheddies’ paradise where relics from this past are being resurrected by an enthusiastic and capable band of volunteers.
“It all started back in 1981. Everything was going by train out to scrap, so we formed a club to stop it,” says Mort Cruickshank. The “we” were four young men – Spike Jones, Jim Straton, Mike Rooney and Mort. They formed the Westland Farm and Vintage Machinery Club and started salvaging old machinery that had been destined for the dump. With no premises, they kept it in their backyard sheds and met sporadically to plan the future.
Four decades on, and the Westland Industrial Heritage Park, spread over several acres up by Hokitika airport, is packed with machinery, sheds and enthusiasts. It is a hub of community activities, has a Menzshed on site and is increasingly a drawcard for tourists.

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Making a gate – the blacksmith way

Joe Parkes is a blacksmith and as a youngster learned his trade the hard way. In 1958, aged 12, he was apprenticed to his grandfather and he quickly learned not to make mistakes. His giant Scots grandfather, Jack James, was a smithy of the old school. If young Joe got something wrong he had his head dunked in the half barrel of water used for cooling steel from the forge. He learned quickly.
“My grandfather, I called him Pop, was a big bugger, standing 6 ft 11 inches (1.8 metres) tall and weighing in at 20 stone (127 kg). He was a hard bastard, but he was my mentor. I once saw him pull a man through a high hedge and throw him over the top. You didn’t mess with him. If the blacksmiths got into a scrap you kept well clear.

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Hot stuff in Taranaki

Hot rods – we see them rumbling round the highways and byways, big V8s burbling, immaculate finished body and paintwork and obviously someone’s pride and joy. Many people don’t realise the work that goes into customising one of these gleaming machines. Some are old cars reshaped and rebuilt, and some are made from scratch, often using the classic designs and lines of cars built in the 1920s, 30s and 40s.
In the little town of Normanby in South Taranaki there’s a workshop set up to create these beasts. We caught up with guys from three businesses in a row having smoko together. An upholstery business, a custom fabrication shop and an engineering shop. All mates who work in together in a way that can only happen in a small town.

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Heart of glass

Parts of Carmen Simmonds’ cast glass studio glow with the ethereal, often surreal treasures that emerge from their creator’s imagination and the searing heat of her kiln. Radiantly coloured dolls’ heads, glass lace and crochet, headless dancing dresses, ballet shoes, lilies in milk bottles, flowers, and other organic forms are at once beautiful and disturbing.
Then there is the other side – the chemistry and chemicals, machinery, and tools; hours of modelling, firing, grinding, sanding, and cutting.
But this studio is also a home. Carmen and her husband Glen live at her work studio – a 100-metre-square shed on their 8.5-hectare lifestyle block in Brunswick, Whanganui. The shed was originally intended as Carmen’s full-time studio but when they sold their house in town they had nowhere else to live so they moved into the shed “to camp for a while” and have stayed, still temporarily, for eight years.  

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Making a workshop bench video

Every shed needs a utility bench, and most sheds usually have one or two.
It’s a place where things can be worked on or stored. I have built a few recently, and I have developed a simple process that makes the process quite easy and results in a sturdy workshop asset with space for storage.
The advantage of this design is that it doesn’t require good, straight timber. In fact, I often buy very cheap, knotty 2nd or third grade timber from my local sawmill, who specialise in Macrocarpa. I can get long lengths, but they are rarely straight or twist-free. Sometimes I can get relatively straight pieces, or I can find 3 metres or so in a 4-5m length. For the most part, you can usually find enough pieces of around a metre that are relatively straight.

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The Shed magazine April/May 2026 issue 126 on sale now

Hayden Scott’s road to crafting Damascus blades has been a journey of self-discovery, from an ambitious teen working the boning tables of the Balclutha freezing works to chef Al Brown’s right-hand man. Now, with over 25 years of experience using knives, he has found his calling: hand-forging the finest blades for cooks all over the world from his backyard sheds in the Waitākere Ranges.
“Hayden grew up in Balclutha surrounded by farmland and a practical family: his mum made the family’s clothes; dad was a chippie; an uncle built airplanes, and another uncle was a fitter and turner.
Hayden and his brother were often left to their own devices, usually with a pocket knife in hand. He remembers, “I always had a project on the go. What have we got here? What can I make from this?” Huts and bows and arrows lead to hovercrafts with electric motors, and later to bicycles, motorbikes, and furniture restorations.
His uncle Russell was a real inspiration, a builder who knocked together a Jodel airplane, which Hayden fondly remembers flying around Otago in. “I was in absolute awe that someone could build something like that, at home.” Another uncle, Allan, was a Fitter and Turner who rebuilt motorcycles. He had to dig out a cellar under his house to store his vast collection of vintage motorcycles. Hayden remembers, “He was always in there with his overalls on, working on them. Growing up around people like that was really motivating.”

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Hobbit haven

I have made a hobbit house for my kids almost entirely from recycled materials and left-overs from building a garage. The frame is an old trampoline. It is 3.2 metres wide (this depends on the size of your trampoline ) and 2.3 metres high at the apex. I can stand in it easily. The poles that were for the side of the trampoline had holes at the top so by the time I lashed them all together it was incredibly strong.
I made the walls out of an old pallet with a couple of bigger bits of driftwood on top. We mudded the walls with a mix of dirt, grass and a little cement until there were no more holes and then patched as needed. I used all kinds of recycled wood that would fit. We have added more layers as needed or as bits fall off. The walls are probably about 100 mm thick on average but up to 150 mm in places and we have added paper in the middle for extra insulation.

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