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The Shed magazine April/May 2026 issue 126 on sale now

Hayden Scott’s road to crafting Damascus blades has been a journey of self-discovery, from an ambitious teen working the boning tables of the Balclutha freezing works to chef Al Brown’s right-hand man. Now, with over 25 years of experience using knives, he has found his calling: hand-forging the finest blades for cooks all over the world from his backyard sheds in the Waitākere Ranges.
“Hayden grew up in Balclutha surrounded by farmland and a practical family: his mum made the family’s clothes; dad was a chippie; an uncle built airplanes, and another uncle was a fitter and turner.
Hayden and his brother were often left to their own devices, usually with a pocket knife in hand. He remembers, “I always had a project on the go. What have we got here? What can I make from this?” Huts and bows and arrows lead to hovercrafts with electric motors, and later to bicycles, motorbikes, and furniture restorations.
His uncle Russell was a real inspiration, a builder who knocked together a Jodel airplane, which Hayden fondly remembers flying around Otago in. “I was in absolute awe that someone could build something like that, at home.” Another uncle, Allan, was a Fitter and Turner who rebuilt motorcycles. He had to dig out a cellar under his house to store his vast collection of vintage motorcycles. Hayden remembers, “He was always in there with his overalls on, working on them. Growing up around people like that was really motivating.”

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Heart of glass

Parts of Carmen Simmonds’ cast glass studio glow with the ethereal, often surreal treasures that emerge from their creator’s imagination and the searing heat of her kiln. Radiantly coloured dolls’ heads, glass lace and crochet, headless dancing dresses, ballet shoes, lilies in milk bottles, flowers, and other organic forms are at once beautiful and disturbing.
Then there is the other side – the chemistry and chemicals, machinery, and tools; hours of modelling, firing, grinding, sanding, and cutting.
But this studio is also a home. Carmen and her husband Glen live at her work studio – a 100-metre-square shed on their 8.5-hectare lifestyle block in Brunswick, Whanganui. The shed was originally intended as Carmen’s full-time studio but when they sold their house in town they had nowhere else to live so they moved into the shed “to camp for a while” and have stayed, still temporarily, for eight years.  

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Making a workshop bench video

Every shed needs a utility bench, and most sheds usually have one or two.
It’s a place where things can be worked on or stored. I have built a few recently, and I have developed a simple process that makes the process quite easy and results in a sturdy workshop asset with space for storage.
The advantage of this design is that it doesn’t require good, straight timber. In fact, I often buy very cheap, knotty 2nd or third grade timber from my local sawmill, who specialise in Macrocarpa. I can get long lengths, but they are rarely straight or twist-free. Sometimes I can get relatively straight pieces, or I can find 3 metres or so in a 4-5m length. For the most part, you can usually find enough pieces of around a metre that are relatively straight.

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