Safety in the shed

One of the things guitar legend Eric Clapton and I have in common is tinnitus.
Eric blames the years he spent in the band Cream, playing in front of the bass speakers of fellow band member Jack Bruce, who always had his amplifier turned up to 11.

Avoiding tinnitus
Some sound advice on protecting your hearing
By Ritchie Wilson

One of the things guitar legend Eric Clapton and I have in common is tinnitus.
Eric blames the years he spent in the band Cream, playing in front of the bass speakers of fellow band member Jack Bruce, who always had his amplifier turned up to 11.
One of the differences between Eric and myself is that the continual phantom ringing, which is a common form of tinnitus, doesn’t bother him. But it certainly bothers me and, I predict, it will bother you if you ever suffer from it. Tinnitus is usually associated with hearing loss and hearing loss is most commonly the result of exposure to loud noise. My slight hearing loss was probably caused by hammering on metal in the shed and going to rock concerts. I should have been much more careful about ear protection. 

“I should have been much more careful about ear protection”

How your ear works
The ear has three parts: outer; middle; and inner. The inner ear has a spiral, fluid-filled tube called the cochlea which has tiny hair-cells projecting into it.
Sounds cause the hair-cells to move, the movement sends electrical signals to the brain, which interprets them as sounds. Loud noises cause the hair-cells to bend and stop moving. The brain interprets the lack of signals from the bent hair-cells as noise – the familiar ringing in the ear which the audience experienced after a Cream concert.
Usually, the hair-cells recover and, standing upright again, move in response to sounds. The ringing in the ears stops. Repeated exposure to loud noise causes more and more of the hair-cells to be irretrievably bent or broken until the ringing can be permanent. This is tinnitus. 

“Some sounds actually reduce tinnitus”

What can be done?
Not everyone who has damaged hearing experiences tinnitus and not everyone who has tinnitus has damaged hearing, but the vast majority of tinnitus sufferers have hearing loss. So what can be done? Professor Grant Searchfield is the Director of the University of Auckland’s Hearing and Tinnitus Clinic and he is actively researching treatments. I heard Grant tell how he heard rumours that the illegal party drug ecstasy reduced tinnitus and set out to investigate this claim. He gained permission to give ecstasy to tinnitus sufferers but then ran into a problem. He couldn’t find enough victims of tinnitus who were prepared to take the drug. He thinks it’s probably not very effective in most cases anyway and it does have noticeable side effects.
A psychologist has told me that mindfulness training can be beneficial in coping with the incessant sound, inaudible to everyone but the sufferer. It won’t reduce the sound’s level but will promote acceptance of the condition.
Prevention makes very good sense.
Some sounds actually reduce tinnitus. For instance, I can’t hear it when I am driving in my car. Either the sound of the car’s movement or the concentration needed to navigate the local roads, causes my brain to lose focus on the lack of information coming from my ears and to cease hearing the phantom ringing. Tinnitus is an example of prevention being better than cure – because there doesn’t seem to be a cure. My advice is to wear ear protection much more often than is commonly done.
Wear ear-muffs when shooting, hammering, mowing the lawn or being near to anything which is noisy. Even slightly noisy. When things in the shed get noisy, stop what you are doing and put on the earmuffs. Get extra muffs for visitors or children. If your workplace is noisy religiously wear ear protection; it’s all cumulative and you may be nearer to suffering from tinnitus than you imagine.

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A butterfly takes wing

This simple butterfly pendant or brooch (depending on the back fittings) is a very good exercise in several basic goldsmithing techniques. It also can be decorated in several different ways to produce strikingly different finished pieces of jewellery.
I drew this design more than 25 years ago for a company that then made paua-shell jewellery. They stamped out their products, so I often made the master patterns in copper and from these patterns they spark-eroded the dies.
If this design was being made in an art school, it would be stuck to a sheet of silver and the basic shapes cut from there. If a design was made this way in, say, 18-carat gold and the wing outlines (as here) made from 2.5 mm thick metal, the outlay and waste material would be considerable from a 2.5 mm-thick sheet of 18-carat gold plate. But we will make it like a professional craftsman who has to live in the real world where costs matter.

Making a clean sweep – how to make a magnetic sweeper

After mumblings of discontent about the potential punctures and those “messy engineers”, I decided to make a simple magnetic sweeper. The concept is not new. Magnets have been used for picking up road debris for a long time, and they are very effective.
The challenge, though, is where to find magnets that are strong enough, and how to effectively remove collected steel waste from the magnets. In an ideal world, it would be great to be able to turn the magnetism off and on.
This can be done, of course, by shifting the magnetic poles in the same way that magnetic chucks do on a surface grinder.
Very effective, but I couldn’t see our tool makers in the shed being happy to see the magnetic chuck from the surface grinder being “borrowed” to pick up nails.

The Shed magazine August/September 2026 issue 128 on sale now

Sentimental Journey
Jack Ryder had a unique ability to hypnotise sports stars, politicians, and celebrities into donating items for his museum and sports memorabilia collection. Now, his grandson Clint manages this West Auckland landmark, but the property development vultures are circling.
It is hard to imagine a less likely location for a living museum than the back blocks of suburban West Auckland in Avondale.
Yet here, towards the end of a lengthy no-through road, the Ryder family hold tight to a self-built vestige of Auckland’s yesteryear. While the surrounding streets are turned into homogeneous multi-unit town housing, the Ryders’ two-acre slice of Pavlova Paradise remains, less a multi-generational home ground and more a celebration of the character of the city’s past.
Slipping through the tall white gates past the twin concrete lion sentinels at the street end of Ryder’s long hedge-lined driveway, the modern world slips away. Ahead, in the shade of a 100-year-old Pecan tree, an enclave of antique edifices opens out along the back-fence line like a set from a period movie. This corner of vintage Kiwiana is the handiwork of the late and industrious Jack Ryder, a coach-builder and wharfie, who began constructing it from a group of sheds spread across the property.